INTRODUCTORY CITATIONS
ENTRY NARRATIVE
Decolonizing Ancient Knowledge.
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Tan-Tan.
‘Represents the oldest currently known figurine’ [figure]
that predates the Late-Acheulian Berekhat Ram.
(FAA: 411.)
The dark African Palaeoart figure known as Tan-Tan from Morocco appears to be the earliest of the Afrocentric (dark mother) figures. Surrounding sediments indicate that the timeline is c. 500,000 to 300,000 BCE. In Bednarik’s archaeological report, “A Figurine from the African Acheulian 1,” the Tan-Tan female icon is c. 400,000 BCE * and represents the oldest known figure, therefore predating the Late-Acheulian Berekhat Ram. Even though both Tan-Tan and the Berekhat Ram show evidence of ocher (or ochre), the Tan-Tan figure is the first “known instance of pigment application, although older indirect evidence of such a practice does exist.” (FAA: 411.) In regard to calling the Tan-Tan figure an icon, he says “unmistakable traces of moderating the level of visual ambiguity of the Tan-Tan specimen define it as iconic.” (FAA: 411.)
* (500,000-300,000 BCE.)
This intentionally enhanced icon measures around six centimeters and was discovered by German archaeologist, Lutz Fiedler. Location of the find was in a river deposit on north side of the River Dra (or Draa) just south of the township of Tan-Tan. Painted with red ocher (symbolic blood), the figure is made from quartzite and suggests ritual or spiritual importance. As discussed by Francesco d’Errico and April Nowell, archaeological evidence consistently confirms, “Neanderthals produced and used symbolic objects.” (NLBR: 163.) The dating, engravings, location, female attributes, and use of ochre (iron oxide), mirror other African dark mothers or “Venus” (?) * carved statues. Additional examples in Re-Genesis are: the Berekhat Ram followed by Brassempouy; Willendorf; Laussel; Dolni Vestonice and Lespugue. (WKP: 11-26-05; EKP: 89-135.)
* “Venus”: Medieval Latin Uenus is a de-sacralized/de-sanctified term for goddess or ancestral matrix.
FURTHER RESEARCH RECOMMENDATIONS
Further keyword research on ancient African Dark Mothers and related trade routes:
3,000,000, Overview of Hominid Evolution Including Dark Mothers and Later Migrations; 280,000-250,000; The Berekhat Ram Figure; 70,000, Blombos Cave and V Shaped Engraving; 50,000, African Homo Sapiens Migrations and Matrilineal Motherline; 40,000, Har Karkom; 30,000-25,000, Aurignacian Age; 30,000-25,000, Goddess of Willendorf, Austria; 26,000, Grimaldi Caves; 25,000-20,000, Gravettian Age; 25,000, Caravanserai, Trade Routes, and Dark Mothers; 25,000-20,000, Goddess of Laussel; 24,000, Dolni Vestonice; 23,000, Austrian Goddess of Lespugue; 10,000, Grotta dell’Addaura; 7000, Jericho, Canaan/Palestine: Mesolithic to Neolithic; 7000, Hieros Gamos; 6000, Sicilians to Malta; 5200, Malta and Gozo; 4700, Dolmens; 2200, Nahariyah and Ashrath-Yam; 1900-1800, Dawning of the African Alphabet and the Aniconic Goddess Triangle; 1000, Ephesus, Anatolia; 800, Tanit; 800, Carthage, Africa, the Goddess Tanit and Sacrifice; 750-650, Cybele and King Midas, Anatolia; 664-525, Neith and the Black Virgin Mary Temple at Sais, Egypt; 600, Goddess Kaabou at Petra, Jordan plus Mecca, Saudi Arabia; 400, Cathedra Goddess Isis; and 370, Isis and Philae, Egypt. (RGS.)
For further keyword research on the production of hand axes, including pre-and-post the Acheulian, see keywords:
“hand axe” AND Oldowan OR “Olduvai Gorge” OR Mousterian OR Pleistocene OR Holocene “Homo Ergaster.” Additional searches might include: “hand axe” AND Saint-Acheul OR “Venerque France” OR Madrid OR “Moldavian Plateau.”
Further keyword research on ancient ochre: 285,000, Ochre at Kapthurin Formation plus Other Sites;
280,000-250,000, The Berekhat Ram Figure; 92,000, Qafzeh Cave and Ochre Symbolism; 70,000, Blombos Cave and V Shaped Engraving; 50,000, African Homo Sapiens Migrations and Matrilineal Motherline; 31,000, Chauvet Cave and Vulva Engravings; 10,000, Grotta dell’Addaura; 2600-2000, Early Bronze Age, Crete, Chthonian * Prepalatial/Early Minoan (EM I-III); and 1500, Lachish Ewer, Triangle, and Menorah. (RGS.)
* (Earth mother, Chthonia.)
ENTRY 4 GODDESS SITES AND ARTIFACT IMAGE COLLECTIONS




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GSA TEXT REFERENCES
IMAGE: SAMPLE TEXT
IMAGE: SAMPLE TEXT
ReGenesis
ENCYCLOPEDIA
ENTRY 5
285,000, Ocher at Kaphtururin Formation
Click Here
INTRODUCTORY CITATIONS
Use of Ocher (or Ochre).
Beginning of symbolic culture that ‘long antedate[s] the production of representational imagery on inanimate surfaces’ (i.e. Upper Paleolithic rock painting.) (ECC: 509-510.)
Ocher is the Root of all Religions
Given that ochre is at the core of the earliest appearance of symbolic culture, propose that Qafzeh Cave is the earliest known spiritual culture.
ENTRY NARRATIVE
According to S. McBrearty in "The Middle Pleistocene of East Africa," over 70 pieces of red ocher/ochre (iron oxide) were found at the Kenya site called, Kapthurin Formation, c. 285,000 BCE. (MPEA: 92.) Given extensive archaeological and geological evidence, other significant BCE ocher sites are: The Cave of Becov c. 250,000; Maastricht-Belvedere in the Netherlands c. 2000,000; * the Bambata and Pomongwe Caves in Zimbabwe c. 125,000; the Olduvai BK II, developed Oldowan levels in Tanzania; Wonderwerk Cave in the North Cape region of South Africa; the Twin Rivers in Zambia; Blombos Cave in South Africa c. 70,000; and the Lion Cavern in South Africa c. 43,200. (EKP: 89-135; ECC: 515.) * Zorich, Zach. “Neanderthals in Color.” Archaeology 65.3 (May-Jun. 2012): 18. (NC.)
The following discussion speaks to the ancient significance of ocher (or ochre) as the beginning of symbolic culture that “long antedate[s] the production of representational imagery on inanimate surfaces (i.e., Upper Paleolithic rock painting).” (ECC: 509-510.)
The record of pigment use in the course of prehistory is consistent with the neurological and symbolic regularities discussed above. Black and red pigments were the earliest to occur in prehistory [ancient history] and are relatively abundant in Paleolithic sites. Of the two colors, it is red that dominates the Paleolithic color palette (Bahn and Vertut 1997: 115), usually in the form of ochre, ‘an earthy, pulverulent, red [hematite], yellow, or brown [limonite, goethite] iron oxide that is used as a pigment’ (Bates and Jackson 1980). Clearly, the ochre found in archaeological sites was not necessarily acquired and/or used for its color and in symbolic contexts. The inclusion of iron oxides in an archaeological deposit may be the result of natural depositional processes or of its use (e.g., as preservatives or medicines) because of physical or chemical properties to which color was incidental and irrelevant. Indeed, 15 years ago acceptance of archaeological finds as indications of Middle Paleolithic symbolism including color symbolism-was a risky, not to say naive, proposition (BarYosef 1988, Chase and Dibble 1987). Since then, however, new discoveries and new analyses have been advanced as support for the claim that the mental and cognitive capacities for symbolic behavior were already in place by the Middle Paleolithic (d'Errico and Nowell 2,000; Hayden 1993; Hovers et al. 1995; Hovers, Kimbel, and Rak 2000; Marshack 1989, 1996; Schepartz 1993) (ECC: 493). On the basis of the abundant ochre record from Africa, whose beginnings can be traced to the late Middle Pleistocene, Knight, Power, and Watts (1995) and Watts (1999) have postulated that symbolic culture as a systematic behavior emerged within an African Middle Stone Age population of modern humans. Their line of reasoning is characteristic of the ‘symbols as tokens’ approach in that it views symbols as information carriers and places their origins in rational behavior designed to satisfy material needs (Robb 1998). … According to the suggested model, the use of ochre as the first cultural symbolic construct emerged as a sociobiological response to the reproductive stress [including menstruation] experienced by females during the phase of encephalization associated with archaic H. sapiens. …They argue that the signal of menstruation, appropriated from an individual by a collective, communicated for the first time a ‘symbolic’ construct, and because the symbol as such came into being only within a social context they view the use of ochre as the beginning of symbolic culture. Knight, Power, and Watts (1995) and Watts (1999) see clear indications in the African archaeological record that the beginnings of the postulated symbolic culture long antedate the production of representational imagery on inanimate surfaces (i.e., Upper Paleolithic rock painting). Watts (1999) accepts that the Middle Stone Age does not share the elaborate symbolic culture evident in the Late Stone Age (and the Upper Paleolithic in Europe) but maintains that all the essential elements appear to have been in place by, or shortly before, the Last Interglacial-within the Middle Stone Age 2 and approximately coincident with the emergence of anatomically modern humans. Significantly, he notes that the frequency and intensity of the use of ochre increase gradually over time from the Middle Stone Age onwards (ECC: 509-510).
ENTRY 5 GODDESS SITES AND ARTIFACT IMAGE COLLECTIONS




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GSA IMAGE REFERENCES
IMAGE: OCHER FROM KAPTHURIN FORMATION: KENYA, AFRICA. ILLUSTRATION: © GSA. DESCRIPTION KAPTHURIN FORMATION OCHER, MIDDLE PLEISTOCENE OF EAST AFRICA, KENYA, SLIDE LOCATION , SHEET , ROW , SLEEVE , SLIDE # , BCE. ON LOCATION: ILLUSTRATION/IMAGE IN PROCESS. NOTE 1: FIELDWORK PROJECT.
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PHOTO NOTE: FOR FURTHER RESEARCH AND IMAGES OF: KAPTHURIN FORMATION C. 285,000 BCE; CAVE OF BECOV C. 250,000; THE BAMBATA AND POMONGWE CAVES IN ZIMBABWE C. 125,000; THE OLDUVAI BK II, OLDOWAN LEVELS IN TANZANIA; WONDERWERK CAVE IN THE NORTH CAPE REGION OF SOUTH AFRICA; THE TWIN RIVERS IN ZAMBIA; BLOMBOS CAVE IN SOUTH AFRICA C. 70,000; AND THE LION CAVERN IN SOUTH AFRICA c. 3,200 (EKP: 89-135; ECC: 515). (RGS.) RESOURCE: (ARCHAEOLOGY, ARCHITECTURE & ART.) RESOURCE: (BRITISH MUSEUM.) PHOTO NOTE: ILLUSTRATOR, CHRISI KARVONIDES.